Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

Mewing cover

Sabitha: Chloe Spencer shows us the true horrors of influencers in her novella Mewing. Can you tell us about your story, Chloe?

Chloe: Mewing is a body-horror novella which centers on a small-time Instagram model named Vix who joins a co-op of influencers led by a mysterious and charismatic supermodel, Margo. After Margo takes Vix under her wing—and into her bed—Vixen’s success comes hard and fast, but the glitz and glamor comes with a price that may cost her her sanity… and her life.

Sabitha: What inspired you to write this book?

Chloe: Oh gosh! A lot of things inspired me to write this book. My thesis film for my MFA program, a body horror film entitled Serotonin, explored concepts of influencer worship and body dysmorphia, and I wanted to expand on it. I’m also inspired by Satoshi Kon’s Perfect Blue and Eric LaRocca’s Things Have Gotten Worse Since We Last Spoke. I have body dysmorphia, so some of my own experiences influenced the book as well.

Sabitha: Do you have a playlist for your book?

Chloe: I actually do! As a sapphic story, Mewing is inspired by a lot of sapphic icons and popstars. Given that it’s also grounded in a toxic romance, there’re a lot of songs that tug at your heartstrings. I’ve included Chappell Roan’s Casual and FLETCHER’s Bitter. I’ve also included songs about influencer culture and stardom, such as Allie X’s Girl of the Year.

Sabitha: If you could meet your characters, what would you say to them?

Chloe: To Margo, I would say, “Shame on you!” and to Vix, I wouldn’t say anything, I’d give her a big hug.

Sabitha: How much research did you need to do for your book?

Chloe: A ton! Despite the fact that Mewing is approximately 100 pages, it was research intensive. It’s meant to touch on a variety of issues related to body image disorders and influencer culture, but honestly, only scratches at the surface. I had to research things related to how managers/agents work, modeling history, and medical stuff.

Sabitha: What’s your next writing project?

Chloe: My next book, Haunting Melody, releases October 2024, actually! It’s a spooky fantasy YA about a ghost hunter that teams up with a ghost girl in order to solve a grisly mystery in a small island town. It’s got some scares, but mostly just Halloweentown vibes: cozy and cute!

Sabitha: Thanks for sharing your story and your process. We’re looking forward to reading! Where can the Night Beats community find you and your book?
Chloe: You can find out more about me at my website. I’m also available on Instagram and TikTok @heyitschloespencer, and on Twitter as @chloespencerdev.

Wrong Genre Covers

The Jungle Book as cyberpunk was suggested by Emma Berglund. Have a funny idea for a Wrong Genre Cover? Email us at nightbeatseu@gmail.com, and if Rachel likes your suggestion, she’ll make it in a future issue. Or @ us on basically any of the socials.
The jungle book by Rudyard Kipling as cyberpunk, with the caption "welcome to the urban jungle." A young man is shown against a city with a bear and a panther. Very edgy.

Two Old Farts Talk (Queer) Sci-Fi

Queer SFFH (Science Fiction, Fantasy, and Horror) has been with us for a very long time. One of the first English-language science fiction novels is Frankenstein, 1818, and it was written by bisexual author Mary Shelley. And representation has recently reached new heights, in both how many queer creators there are, but also the number of queer characters appearing in SFFH, in books and media, but also in the quality and impact they have in storylines.

Rachel A. Rosen joins Troy and David, to discuss the topic on their podcast, Two Old Farts Talk Sci-Fi. Listen here!

Rachel A Rosen, standing in front of graffiti

Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

The Unravelling cover

abitha: We’re delighted to have Will Gibson here (not William!) to talk about his science fiction novel The Unravelling.  Will, want to start with an introduction to your book?

Will: In the year 2038, a disillusioned English boy’s audacious plan to save his beloved Asian pop star collides with a weary New York cop’s pursuit of an unfathomable global conspiracy, as humanity balances on the razor’s edge between AI-governed order and lawless urban chaos. As unprecedented system failures plunge the world into turmoil, Joe Jones races against time to unravel the deceit behind apocalyptic threats and protect those he loves, revealing the delicate intersection of human vulnerability and technological dominance.

Sabitha: What inspired you to write this book?

Will: Boredom! Haha. But seriously, I get a lot of down time in my work in the telecom industry. I regularly travel over 200,000 air miles, so that’s a lot of time in airports and on planes. Only so many moves you can watch! So I started writing this in 2018 on my iPhone, got half of it done, then COVID hit and sent the world in a spin, and that prompted me to pick it back up again in 2022 and really make a dash to get it finished. I’m delighted with the end result and hope to be an inspiration to my two little children.

Sabitha: Do you have a playlist for your book? 

Will: Oh absolutely! Firmly Radiohead and especially their 1997 album OK Computer. Even though its now 26 years old it still feels futuristic, and could easily be set in the year 2038! I listen to that and other Radiohead stuff while I’m working and writing/editing, as well as Morrissey, The Cure and The Arctic Monkeys. Music is a huge part of my life.

Sabitha: If you could meet your characters, what would you say to them?

Will: Well, for starters I’d tell Monica not to be so uptight, I’d tell Joe to believe in himself and I’d tell Suki to run a mile from Kelly hahahaha.

Sabitha: Do you have a “fan-cast” — do you have actors you’d cast as your main characters?

Will: Of course! My protagonist is Joe, just an ordinary New York cop, and he’d for sure be Pedro Pascal! A man of few words and quite reserved, he’d be perfect! His wife Monica would be played by Alexandra Daddario, a raven-haired beauty for sure. Suki is hard to cast as she’s a figment of my imagination, but she could easily be Shioli Kutsuna who was amazing in Invasion on Apple TV recently. Dylan is hard to cast as he’s so young, so would probably be an up-and-coming young Brit.

Sabitha: What book do you tell all your friends to read? 

Will: I’m big into science fiction, sports biographies and espionage thrillers. I’ve read every single one of Andy McNab’s Nick Stone series and always find them really good reads. My favourite of all-time is my namesake William Gibson, of Neuromancer fame, and I’ve read everything he’s ever done.

Sabitha: Thanks for sharing your story and your process. We’re looking forward to reading! Where can the Night Beats community find you and your book?

Will: They can find me on my website, Facebook, Instagram, Tiktok, or X. My book is on Amazon USA and Amazon UK.

Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

Sabitha: Spies in space—what’s better than a hard science espionage thriller? John Kirk is here to tell us about his book, DEVIN’s WAY: 01: Eternal Spies. John, take it away! 

John: In the near-future, engineer Peter Hubbard’s modest aspirations shelter him high above London’s withering proletariat—why would he ever want to change that?

But fate has other plans. Forced to accept a test mission in low Earth orbit, Peter is drawn into a cold war between competing corporate states—a conflict that transforms his identity forever…

The exciting Devin’s Way trilogy hurls this most reluctant spy from low-Earth orbit, out beyond the Asteroid Belt to a moon of Jupiter, before ending on the barren wastes of Mars.

Sabitha: What inspired you to write this book?

John: Since a young age I have always found the image of a bespectacled person tapping away at a keyboard to be quite alluring. At age 14 I was encouraged to write my first science fiction, and the idea for the DEVIN’s WAY trilogy has been coalescing in my head ever since. This is my first truly serious attempt at getting these books written and ‘out there.’

Sabitha: So space and science fiction were always your passion! How much research did you need to do for your book?

John: Lots! Actually these have been written mostly from memory having absorbed decades’ worth of facts and trivia on the solar system and space and stuff. But occasionally I have to fact-check an item or two, the resources to hand these days are immense! I can visit any part of the cosmos I wish with just a few clicks—we should never take that for granted.

Sabitha: Who did you imagine reading your book as you wrote it? 

John: People just like me—avid ‘hard science fiction’ readers who have grown up fascinated with the exploits of NASA, ESA, ROSCOSMOS etc., and have always imagined how life may be ‘out there’ just around the corner. The DEVIN’s WAY trilogy is set “100+ years from now” as I enjoy extrapolating current tech and trends and placing them into this environment.

Sabitha: What’s your next writing project?

John: The second book in the sequence, Jupiter’s Moon, is already well under way, with the third and final installment, Martian Rising, to follow. I have a dream of combining the DEVIN’s WAY trilogy into one hardback compendium, with a number of short stories filling the gaps in between, since the whole thing spans more than 10 years. Once that is on my bookshelf, I will light that cigar!

Sabitha: Thanks for sharing your story and your process. We’re looking forward to reading! Where can the Night Beats community find you and your book?

John: Here’s my website, and my Amazon Author page.

Book Report Corner

by Rachel R.

Prophet by Sin Blaché and Helen Macdonald. Two tiny silhouetted men stand under a shiny silver sphere on a shiny silver background. This will make sense when you read the book, trust me.

A mysterious American-style diner appears in an English field, as do a collection of strange objects. These are all linked to a substance that causes a person’s desires, linked to their most nostalgic memories, to manifest. Unfortunately for everyone, this particular nostalgia is fatal—and spreading. Rao, who can discern truth from lies, and Adam, his partner (in espionage, though they both wish it were otherwise) are sent to investigate. The novel flashes back and forth between the investigation and their traumatic backstories.

Usually, when we refer to a book as “reading like fanfic,” we don’t mean it in a complimentary sense. When I say that this book reads like fanfic, I mean that it does what really good fanfic does in exploring the interstitial spaces between adventures, relishing in the transformation of subtext to text, with uncommonly strong character work for what is essentially military sci-fi. The worldbuilding and character backstory feel deeply lived in, as if the story itself is a cathartic coda to a TV show I have been watching for years in hopes of resolution. It’s a book that inspires discussion and meta-analysis and fanaticism.

Ultimately, the authors take everything I like—a strong core sci-fi metaphor, spy hijinks, disaster gays, body horror—and stuff it into an entertaining and weirdly poignant read. I deeply resented the fact that I had to go to work in between reading this. I love Rao a normal amount. I swear I’m fine. Please read this so that I don’t have to rave about it by myself.

Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

cover of The Dance with - what else? - a dancer on it.

Zilla: One of Night Beats‘ own, Rachel A. Rosen, has a story in the anthology The Dance. After all, we love an alternative perspective on timelines! Today we’re talking to the editor of the anthology, Ira Nayman, about his story in the book and the work as a whole. Ira, can you tell us about the theme?

Ira: Life is the dance between choice and chance. The Dance contains 17 speculative fiction short stories exploring how the world into which we are born, random events out of our control and the choices we make within the options available to us shape our lives. Oh, and it’s fun.

Zilla: The anthology is themed around alternative universes coming together. Sometimes a story shows a multiverse of realities caused by varying decisions, sometimes it’s an alternative history of Canada, and sometimes it’s anything and everything in between. What drew you to all these stories for this multiverse anthology?

Ira: The original call was for stories similar to Multiverse triptychs which I had been writing: stories with three distinct parts set in three different universes that comment on each other in a “sum of the parts is greater than the whole” kind of way. As stories came in, I saw that other writers have their own ways of structuring stories across multiple universes; since I get bored easily, I loved the variations and decided to run with them.

Zilla: You have a background as a comedy writer. Where did the impetus to collect science fiction, fantasy, and horror stories come from?

Ira: I’ve been combining humour with speculative fiction for around 15 years. Partially, I grew up with both and love both. Partially, many of the tropes of speculative fiction are both useful for allegorical purposes and lend themselves well to humour.

Zilla: In your story, some of the funniest moments come from bureaucracy gone into overdrive (and I certainly caught the digs at Ottawa!) Did you draw these from personal experience?

Ira: Not in the sense that I have had any career in politics (although I have been a legal observer at protest actions for around five years). However, I have been writing satire for decades. In fact, one of my other projects, Les Pages aux Folles, is a web site of political and social satire. I have updated it weekly for over 20 years (which makes it ancient in internet terms!). So, satire is a large part of what I write, and I try to sneak it into my narrative fiction whenever it is appropriate.

Zilla: Speaking of comedy, in your story, a robot writes a thousand-page analysis of humour. If you can manage it in maybe less than 1000 pages, what’s your theory of humour?

Ira: I had a high school teacher who used to say that all humour is based on “juxtaposition of the absurd,” putting two or more things together that you don’t usually see together and wouldn’t think belong. This accounts for a large amount of humour, but, since we laugh at a wide variety of things, it doesn’t explain all humour. I have a lot of ideas about humour, but if I had to boil it down to something basic, I would say that it involves a surprise that, if we think about it, has its own internal logic.

Zilla: Thanks for sharing your story and your process. We’re looking forward to reading! Where can the Night Beats community find you and your book?

Ira: They can get The Dance here. They can find me on Facebook or Bluesky, and they can read Les Pages aux Folles here.

Caviar Blini and Vodka paired with A Gentleman in Moscow

Fiction To Sink Your Teeth Into, a feature from author and professional chef Rohan O’Duill!

A Gentleman in Moscow tells a story of optimism in hopeless situations. The Count shows us we can still appreciate beautiful things in the most difficult of circumstances. So even if things are bad, you can sit back with a book and some delicious food and drink and enjoy that small moment.

The book A Gentleman in Moscow next to very delicious looking blinis and a healthy sized pour of vodka
Continue reading

Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

Archangel Protocol cover with a glowing humanoid figure on the front.

Rachel: Today we’re joined by author—and my long-time Star Trek Adventures RPG buddy—Lyda Morehouse, whose science fiction and fantasy series AngeLINK is back in paper–including, for the first time ever: hardback. Lyda, can you tell our readers about the series?

Lyda: AngeLINK begins with Archangel Protocol, a novel originally published by Penguin in 2001. It eerily echoes the current US political climate–including a joke/proto-fascist candidate who, nonetheless, gains ground on the internet, or “the LINK.” Angels claiming to support this fascist appear online. Our heroine, Deirdre McMannus, is ex-communicated, cut off from all social media–a fate worse than death. Into her life, like a reverse femme fatale, walks a handsome man claiming to be the archangel Michael. Michael often speaks of God in the nonbinary, as “Them,” which rocks the Catholic heroine’s worldview.

Rachel: That sounds eerily and disturbingly prescient. You wrote this well before a certain tangerine authoritarian waddled onto the scene, so what was the inspiration?

Lyda: The X-Files. Specifically, Season 2, Episode 14, ‘Die Hand Die Verletzt. It’s the episode where you think that the School Board is upset that the local high school is staging Jesus Christ: Superstar because they’re uber Christians. But, as they begin to pray for guidance, you see that they’re clearly Satanic! I spent the whole time watching, waiting for Scully, the more religious one, to turn to the skeptic Mulder and say, ‘You know what this means! If there is a devil, then angels exist.’ But it never happened. I figured you could do it subtly, right? Saint Michael is the patron saint of police officers. All you need is some help from a cop named Mike and it’s a clever little nod. So I started writing that and then because I wasn’t raised Christian and my writers’ group wouldn’t allow fanfic, things got very weird.

Rachel: As a X-Phile back in the day myself, I totally get wanting to correct that show’s shortcomings. And it’s definitely something that, at least for me, reads quite differently—to its detriment—in today’s world. Do you think, over two decades later, that AngeLINK will resonate with modern readers?

Lyda: One warning to modern readers who may not have read these books previously: when I wrote these, different words were used to describe trans folks. Likewise, a trans archangel, Ariel, gets misgendered often. In the forward there is an explanation why this wasn’t changed for the new editions. I’m an out lesbian myself. I need to stay aware and to acknowledge my past mistakes, not ignore the historical record, but to stand up, face those I’ve injured, and apologize.

Rachel: I really respect that approach. What are you working on these days, and where can readers find more of your work?

Lyda: I’m putting the finishing touches on Welcome to Boy.net, due out from Wizard’s Tower Press later this year. It’s a fun lesbian romance adventure romp in a ‘Wet Venus’-retro universe, but which also touches on the intersections of cybernetic enhancements and transness. You can find my equally retro, although up-to-date website at: lydamorehouse.com. I’m also on the socials either as Lyda or in my paranormal romance guise, Tate Hallaway.