Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

Cover of Accelerated Growth Environment with two people in a biosphere.

Zilla: In our current environmental crisis, we need stories that imagine different worlds. I invited Lauren C. Teffeau here to tell us about her eco-thriller Accelerated Growth Environment, which gives us adventure, sapphic romance, and science fiction. Lauren, take it away!

Lauren: Dr. Jorna Benton is proud to be the Principal Scientist for the Climasphere, a massive, sea-going ecological nursery capable of supporting nearly every biome on Earth. On its inaugural mission to restore and re-wild collapsing ecosystems along the Atlantic coast, Jorna manages the Climasphere’s habitat and harvest, while her colleague—and inconveniently attractive commander—Ava Kaysar directs the rest of the vessel’s critical operations. When an explosion rocks the Climasphere, Jorna’s carefully-managed world is thrown into chaos, threatening both her personal and her professional future. And worse: she’s the prime suspect. To clear her name, save the mission, and preserve her chance at a future with Kaysar, Jorna must finally confront the secret she’s been running from all these years: a family and a faith that could destroy her.

Zilla: What inspired you to write this book?

Lauren: With the world fragmented and the informationsphere weaponized against collective action, democratic freedoms, and the realities of climate change, I wanted to showcase a future where it was possible to do “big” things for the betterment of all. Once upon a time, the vast majority of countries around the world worked together to curb chlorofluorocarbon emissions that were depleting the ozone layer of the atmosphere. And it worked! But now we’re rolling back climate protections in America and fighting with allies and enemies alike, making such collaborations at that scale seem impossible. In Accelerated Growth Environment, I wanted to show what it would look like if our countries worked together to create a symbol of hope—the Climasphere—a seaworthy habitat capable of nurturing the plants necessary to rewild the earth and repair the damage by the fossil fuel industry, and the people committed to such a mission. We need to be able to imagine such possibilities in order to work toward a brighter future together.

Zilla: That makes so much sense as a goal for your writing. What about visual inspiration—did any visual images inspire your world building?

Lauren: The most influential visual reference I had for the Climasphere, the setting of my novella, was BioSphere2, a massive human-made biodome just north of Tucson, Arizona that contains a bunch of different biomes and was intended to be a self-sufficient system with its own power, water, air, and all the plants and equipment necessary for food production for the scientists who volunteered to spend two years sequestered there away from the rest of the world. The facility is huge, and the architecture still has a futuristic vibe decades later. Now, it is a research laboratory to test out new approaches to growing plants and how to construct man-made habitats in extreme environments like the moon, Mars, and beyond.

Zilla: If you weren’t a writer, what do you think you’d do instead?

Lauren: Probably architecture or interior design. We did an architecture segment in technical education in eighth grade, and I loved being able to design my own building—very much like the worldbuilding I do on the regular with my writing. I also really enjoy making my home feel welcoming and finding ways to optimize its function. The challenge of finding just the right spot for the chair that came from my grandmother, or the painting from my aunt, or the knickknack I picked up from the thrift store is so much fun—navigating the constraints of what you have and the unexpectedness that results, a creative process in its own right.

Zilla: Thanks for sharing your story and your process. We’re looking forward to reading! Where can the Night Beats community find you and your book?

Lauren

Author Links:

Website: http://laurencteffeau.com/ 

Instagram: https://www.instagram.com/lteffeau/ 

Bluesky: https://bsky.app/profile/teffeau.bsky.social 

Linktree: https://linktr.ee/teffeau 

Book Links:

Shiraki Press: https://www.shirakipress.com/books/accelerated-growth-environment/ 

Amazon: https://www.amazon.com/dp/B0G3Z82PGJ 

Barnes and Noble: https://www.barnesandnoble.com/w/accelerated-growth-environment-lauren-c-teffeau/1149394456 

Bookshop: https://bookshop.org/p/books/accelerated-growth-environment-lauren-c-teffeau/702dfb200d67fc3b

Book Report Corner

by Rachel A. Rosen

Notes From a Regicide by Isaac Fellman. The cover shows an old-fashioned portrait of what looks like a family of three, but with digital glitches covering the faces and running across the frame.

I won’t shut up about Notes From a Regicide until everyone I know reads it. Griffon, a teenage trans boy living in a post-apocalyptic, flooded New York, is adopted by an older trans couple, Etoine and Zaffre. Both of them are artists and refugees from a city called Stephensport, which is frozen in time in something vaguely akin to, but not quite, Renaissance Italy. They do their best by Griffon, who has had to flee his transphobic and abusive father, but Etoine and Zaffre are brittle, damaged people, full of secrets, with no idea how to open their strange, private world to a newcomer. In their youth, they were part of a revolutionary movement that left them with both physical and mental scars, and it’s only after their deaths that Griffon reads through Etoine’s journal and learns the truth (or at least Etoine’s truth) of what happened.

I doubt Fellman set out to write something so perfectly tailored to my tastes but he sure did. This novel could have easily been heartwarming glurge about the importance of found family. It’s not. Notes From a Regicide is instead a haunting and elegant story about art, revolution, and the damage it leaves behind.

Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

The Floating Castle with a silhouette of a woman's head on the cover

Zilla: I’m a big fan of dark fantasy—particularly starring nuanced, dangerous women. L. N. Holmes delivers exactly that in her latest novel, The Floating Castle. L.N., can you describe the story for our readers?

L.N.: To secure her position as the emperor’s favorite daughter, Princess Fu Liling sails across a monster-infested sea to marry and subdue Elias of House Zartisval, crown prince of a rival kingdom. When she meets Elias, however, he unexpectedly refuses to marry her. At risk of being cut off from the imperial family, Liling tries to force the wedding, only to discover that Elias is a murderer and she is his disposable hostage. 

 Liling resolves to expose this betrayal to her father and plots an escape, relying on a reluctant guard and a rebel witch to aid in her flight. Elias, who’d rather see them all dead than free, gives chase. The ensuing battle may cause the Floating Castle to literally fall, and Liling must decide: surrender and die to keep the peace or dishonor her father in exchange for her own life and liberty. The repercussions of her choice will ripple across a continent. 

Fans of Game of Thrones and The Witcher will appreciate this epic fantasy for its morally gray women, dangerous political intrigue, and sinister magic. 

Zilla: I love everything about this—you could have written this book for me. Who did you write this book for?

L.N.: When I was a young woman, I needed stories about women who could survive despite the extreme adversity they were facing. Thankfully, I stumbled upon stories like The Handmaid’s Tale and The Hunger Games, but I struggled to find the stories that I needed in epic fantasy, especially ones that didn’t center a romance. I became so frustrated with the lack of those stories that I decided to write one instead. That’s how The Floating Castle came to be. I hope it will find its way into the hands of women who need to see other women surviving.

Right now, mostly other writers (horror and fantasy writers) are reading my book. I hope to reach more readers at festivals and other in-person events coming up this year.

Zilla: You have a really personal reason for writing this book. What’s the reason you write overall?

L.N.: Stories are one of our most powerful and effective ways to communicate with one another. I’m not a gifted speaker, but if I have time to think about and refine my ideas, I feel like I can communicate at least somewhat well with my writing. I ultimately just long to connect with other people, to love and understand those who are different (or even the same) as me.

Zilla: What’s your next writing project?

L.N.: Besides finishing The Dragon Gate series? I have two horror stories haunting my brain, demanding attention.

Zilla: Thanks for sharing your story and your process. We’re looking forward to reading! Where can the Night Beats community find you and your book?

L.N.: You can find The Floating Castle in six independent bookstores: The Crafty Bookstore, The Cozy Book Nook, The Bookworm (Omaha), Amethyst and Ink Books, Snapdragon Books & Gifts, and The Floating Bookshop. I would encourage you to buy from them first. The purchase links are on my website.

Wrong Genre Covers

The Book of Job as a memoir of personal triumph was suggested by Dale. Have a funny idea for a Wrong Genre Cover? Email us at nightbeatseu@gmail.com, and if Rachel likes your suggestion, she’ll make it in a future issue. Or @ us on basically any of the socials.
The book of Job in large orange type with a picture of a bearded, bespeckled man in profile looking up with light falling on his face against a black background. The text reads: "One man's journey of faith after losing everything." There are stickers indicating Oprah's Book Club 2025 and Heather's Picks. The quotes include "Astonishing!" Daily Telegraph, "Brilliant!" the New York Times, and "Wait, you just replaced us with completely new kids?", Job's kids.

Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

Honey Novick's album cover for Rising Towards the Seraphim

Zilla: Honey Novick is a singer, poet, writer, among her other talents! She’s here to tell us about her work. Honey, can you tell us a bit about what you’ve created and what drives you?

Honey: I’m considered a song/poet, someone who sings, writes and interprets poetry.  My writing is shared only when it is positive and hopeful.  I believe that that is why I write and sing – to offer hope.  It is a personal struggle as I tend to be discouraged but in my writing and singing, I find a strength, a spiritual connection and that is what I like to offer and share with others.

Zilla: What inspires you? How do you start a song?

Honey: I was feeling discouraged one afternoon.  Sitting on my bed, I felt I had to get out of this funk.  I started saying to myself, “I am a winner”  then I’d think, “You are one, too.”  Then I thought, “1, 2, 3, 4, 5, 6, 7, 8, I know something really great!!!” That became a song.  I had the opportunity to sing at a Voice of Women conference and performed that song with motions.  Unbeknownst to me, a United Nations representative was in the audience and loved it.  She invited me to send all my material to the UNESCO Education department.  I was honored and knew my words had a positive effect.

Zilla: Thanks for sharing your positive creations and your process. We’re looking forward to seeing more! Where can the Night Beats community find your work?

Honey: Night Beats people can find me on Google, Youtube and Facebook. I’m a technical luddite and don’t know how to provide a link to my books but they are all archived at the National Art Gallery of Canada, General Idea Reading Room

Night Beats Goes to TriCon

Rachel A Rosen being punk

We’re so excited for the very first TriCon in Halifax over the May 15-17 long weekend! A full schedule has been posted on the website!

You can hang out with Rachel A. Rosen at:

Saturday, May 16 @ 9:30 am: A Marxist Analysis of The Writing Industry

Sunday, May 17 @ 11:30 am: De-Industrialization of the Frontier: Proletariat Themes in Science Fiction

Hang out with Nicole Northwood at:

Friday, May 15 @ 2:30 pm: (At) Home in Speculative Fiction

Saturday, May 16 @ 8 am: Social Media Presence, Audience Building and Self Promotion

Saturday, May 16 @ 12:30 pm: In the Vendors Room

Sunday, May 17th @ 11 am: Reading

An Aurora Awards Hat Trick

The aurora borealis

The Aurora Awards shortlist has been announced! Rachel is nominated in three categories:

Best Novel: Blight (The Sleep of Reason #2)
Best Short Story: “What If We Kissed While Sinking a Billionaire’s Yacht?”
Best Fan Related Work: Wizards & Spaceships podcast

If you are a member of the Canadian Science Fiction and Fantasy Association (CSFFA), you can vote for her (and the many other talented nominees) through the CSFFA website between June 6 and July 12. And hey, if you’re not, membership is only $10 CAD and gets you a package of a ton of books to read.

Wrong Genre Covers

The Pursuit of Love as a sci-fi was suggested by Kate, based on Rachel’s continual complaining about every cover for that book ever. Have a funny idea for a Wrong Genre Cover? Email us at nightbeatseu@gmail.com, and if Rachel likes your suggestion, she’ll make it in a future issue. Or @ us on basically any of the socials.
The Pursuit of Love by Nancy Mitford. One female astronaut staring at each other in a not-very-cousinly way, with a molten purple planet in the background.

Book Report Corner

by Zilla Novikov

Venus Fly Trap cover with a fig drawing in a fly

A propulsive read that I finished on the same day I started it. No one in this story is a good person, but they’re such fascinating disasters that I couldn’t help rooting for them. Louise and her matter-of-fact delusions. Cat and her selfishness, Henry and his possessiveness. Of course this can’t end well. The flame that burns twice as bright and all that.

The heart of this book is about loneliness. What we’ll suffer, what we’ll put other people through, to survive it. The masks we’ll wear and the lies we’ll tell, our clothes off in an instant but so rarely naked, so rarely vulnerable. It’s better to be liked for someone you’re not, for something you can do for them, than to risk being alone.

Up to a point.

Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

The Upending of Wendall Forbes cover, with a bird flying away from a felid of some kind. You can see the back half of each animal.

Zilla: It’s dark times, and we need stories that remind us of unexpected community and the possibility of resilience. David Giuliano’s literary novel, The Upending of Wendall Forbes, does just that. David, could you introduce us to your book?

David: Set in the remote northern town of Twenty-Six Mile House, The Upending of Wendall Forbes follows Wendall and Ruby Forbes, an aging couple grappling with memory loss, isolation, loneliness and the rapid encroachment of dementia. When a fierce blizzard descends, bringing with it an extended power outage, a group of six eclectic strangers take refuge in their home.

As the storm rages outside, inside, a tender and surprising exploration of intergenerational hope, grief, and the quiet power of human connection.

The cast of strangers, and a talking lynx and a foul-mouthed raven, restore Wendall and Ruby’s hope for the future and for humanity. It’s a novel that is at once funny, wise, and full of heart.

Zilla: What inspired you to write this book?

David: Three things initially inspired The Upending of Wendall Forbes. First, I was sixty-two years old, on the cusp of the fourth quarter of life. I wondered what the next twenty years might be like if I live that long. What does it mean to be an elder?

I am riding on the tail end of the boomer generation, and I am painfully aware of how capitalism, greed and disregard for the natural world have failed the climate and our grandchildren. 

Also, I was reading post-apocalyptic novels, which left me asking if the complete collapse of the world is our only hope. Is there redemption for this world possible? 

I started the novel exploring those ideas and questions. Of course, it took on a life of its own as the story unfolded.

Zilla: If you weren’t a writer, what do you think you’d do instead?

David: For thirty years, I published short essays and poems. I have always been a writer, and like many writers, I did other things.  I was a minister in The United Church of Canada, the Moderator (spiritual leader) of the national church, an expressive arts therapist, a spiritual director, served on the national Indigenous ministries’ council, and am an activist. My writing is inspired and informed by all those experiences. I have been a “full-time” writer for almost a decade.

Zilla: What’s the secret to editing?

David: Editing takes time. For me, for every hour of writing, there are four hours of editing. If there’s a secret, it would be taking pleasure in making what I’ve written better. The “Aha!” when I find a better word, sentence structure, or plot line that polishes what I wrote in a flow of spontaneous creative ecstasy. 

Another “secret” is finding a good editor who understands what I am doing. I take their recommendations very seriously. I accept nearly all of my editor’s changes. A good editor is gold. Be grateful. 

Zilla: What’s your next writing project?

David: I’m working on a third Twenty-Six Mile House novel. I’m no James Joyce, but I identify with him saying, “For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal.” Twenty-Six Mile House is a highly fictionalized version of the town where I have lived for forty years. By getting to the heart of it, I hope to get to the heart of universal human experiences. 

Zilla: Thanks for sharing your story and your process. We’re looking forward to reading! Where can the Night Beats community find you and your book?

David: The Upending of Wendall Forbes is available at bookstores, online and from Latitude 46 Publishing. You can find me on my website, Instagram, Facebook, and Youtube.