Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

A webcomic panel of the characters at a military hospital.

Zilla: From the written word to the sketched image, stories have the power to move us. Artemy’s queer WW1 webcomic is a story you won’t want to miss, so we’ve brought them here to tell us about Gentle Hands.

Artemy: Gentle Hands is a queer-centric story about the home front and the medical system during World War One. After suffering a severe injury that has left him paralyzed and unable to talk, Dmitri finds himself in an institution in France. Jadyn, a retired military surgeon, is assigned to be his nurse, but after some investigation he gathers some alarming details. Is his placement with Dmitri an elaborate hazing? And can he prove himself as a capable doctor despite that? 

Zilla: What inspired you to write this book?

Artemy: When I was 17 I discovered I would be disabled for life. For this reason I really enjoyed stories about disabled characters and could never get enough of them. So when I discovered webcomics I knew I had to make my own. 

Zilla: The webcomic is clearly written from the heart—I can see how personal it is. Who is your favourite character in your story?

Artemy: My biases lie with the main love interest, Dmitri. I’ve always wanted to write a nonverbal character, and Dmitri was my way of experimenting with that. His thoughts and feelings are so complex, yet his way of expressing them is limited. This has led me to come up with creative ways to communicate those ideas. Character-wise he has a lot of contrast, and that seems to be my readers’ favourite thing about him. 

Zilla: How much research did you need to do for your story? (I ask this as though I didn’t meet you on a server about writing historical fiction!)

Artemy: Initially, I started this story as a relaxed side-project. I told myself I wouldn’t fuss over the fine details or research. It only took two days to throw that out the window. I have since been chest deep in articles and archives. 

Zilla: Who did you imagine as your readers?

Artemy: I imagined a lot of disabled trans men with uniform fetishes reading my book. That is precisely what I got and I couldn’t be happier with the result.

Zilla: Thanks for sharing your story and your process. We’re looking forward to reading! Where can the Night Beats community find you and Gentle Hands?

Artemy: My series can be found online for free on both Webtoons and Tapas with weekly updates. You can also find me on tumblr at @leonardoeatscarrots.

Book Report Corner

by Rachel Rosen

School of Shards (Vita Nostra Book 3) by Marina and Sergey Dyachenko, translated by Julia Meitov Hersey. The cover is dark blue with a closeup of a horse sculpture. The text is very distorted.

Some years ago, I had my brain melted and then rearranged by Maryna and Serhiy Dyachenko’s Vita Nostra, which still remains one of my favourite fantasy novels—and fantasy series—of all time. Its long-awaited conclusion, School of Shards, is haunting, moving, and absolutely perfect. It’s one of those books that I put down and immediately wanted to reread, not only because it’s stunningly written, but because there were layers of theme and character that I wanted to pick apart.

School of Shards picks up in the new reality that Sasha created in Assassin of Reality—a world without fear, without plane crashes, without child death, but without free will. Now the provost of the Institute of Special Technologies, she has become the same knd of inscrutable taskmasker who terrorized her as a student. But the Great Speech is falling apart, and with it, the world outside of Torpa. And so Sasha must pull from her own past—her half-brother Valya and the twin sons of her former lover Yaroslav—to fix what she’s broken.

Even with the world closing in on the town and its strange magic school, this final chapter in the trilogy feels like it has a much greater scope. The post-Soviet malaise of the first novel expands to a global scale. Words, language, no longer holds the fabric of reality together. The central metaphor is so apt for our present moment, and maybe I’m reading too much into it, but I just found myself thinking that this is a book that does what I want fantasy to do. This is why the genre is meaningful.

I would be remiss if I didn’t also note the elegance of Julia Meitov Hersey’s translation. As is fitting for a book about language, the language of the story itself is beautiful, lyrical, and melancholic.

I am grateful to Kyra DeVoe at HarperCollins for sending me an ARC.

Wrong Genre Covers

Selected Writings and Speeches of Maximilien Robespierre as an office equipment manual was suggested by the incomparable Zilla. For some reason. Have a funny idea for a Wrong Genre Cover? Email us at nightbeatseu@gmail.com, and if Rachel likes your suggestion, she’ll make it in a future issue. Or @ us on basically any of the socials.
Selected Writings and Speeches of Maximilien Robespierre as an office equipment manual

Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

Antifa Lit Journal Vol. 1: What If We Kissed While Sinking a Billionaire's Yacht? Image shows a blue and red starburst, a sinking silhouette of a yacht, and two orcas leaping up.

Zilla: Joining us today, we have Night Beats’ own Rachel A. Rosen, talking about her title story in the Antifa Lit Journal Vol. 1: What If We Kissed While Sinking a Billionaire’s Yacht? This is a story about whales and capitalism, so why did you choose to make the protagonist an art major?

Rachel: Because of my own background, there are a disproportionate number of characters across all of my fiction who care a disproportionate amount about art and art history. For this, I blame my own high school art teachers for making the subject far too interesting to my adolescent mind. You know what you did.

In terms of the story itself, I needed a “useless” major that would accumulate a student debt that Maria could never hope to repay by normal means. I don’t believe there’s any such thing as a useless major, but I do find it interesting the degree to which Western governments focus on STEM and business as the only possible useful majors. (I say “interesting” in that these same governments are largely uninterested in funding scientific research or listening to what actual scientists have to say.) Studying visual arts has always been a path to poverty, but it is also a vital body of knowledge, as it teaches you, more than anything else, how to see what’s in front of your eyes. It’s why Maria is the only character who is able to see through Chase’s slick image to what he’s doing behind the scenes.

Zilla: Is “eat the rich” meant to be interpreted literally?

Rachel: No thank you, I’m vegan.

Seriously, though, the rich are apex predators, prone to biomagnification, and you shouldn’t eat them as you’ll be ingesting the same toxic media ecosystem that they did. You don’t want to get RFK brainworms or a prion disease, do you? A better idea is to compost the rich and grow tomatoes in the soil, and if you need a good recipe or two for your tomatoes, I’d advise readers to check out the Sad Bastard Cookbook that you and I co-wrote.

Or, I don’t know, we could just have a fairer tax structure. Seems like it would cause less fuss.

Zilla: Can orcas smile?

Rachel: They can! And they also “kiss,” which is to say, they lightly bite each other’s tongues. Romance. You know how it is. My browsing history has been forever destroyed in an attempt to research far more than anyone ever needs to know about orca mating habits. In order to find out what, exactly, makes an orca smile, you’ll have to read the story.

Other fun orca fact: An orca can eat a moose. This happens rarely, but often enough that when they list the components of an orca’s diet, they do have to mention moose.

Zilla: Why are orcas the perfect symbol of the resistance?

Rachel: The trend of orcas sinking yachts is iconic to the point where I had to furiously Google to see if anyone else had already written a story about it. Why do they engage in this kind of behaviour? It’s because orcas are highly intelligent, highly social animals that communicate and learn from each other. (A lesser-known, though still stylish, orca trend is the fashion for wearing a dead salmon as a hat, which goes around every few years or so, like bell bottoms or acid-washed jeans.) Some people suggest that they’re playing with the yachts, downplaying the possibility that after several hundred years of all-out abuse of the ocean at the hands of the most predatory forces of capitalism, one of said ocean’s most intelligent lifeforms has decided to take a bit of revenge. It seems to me that, being on the frontline of humanity’s most shortsighted and reprehensible behaviour, they are engaging in the kind of action that we here on land are not courageous or desperate enough to undertake, even though we know the stakes.

It’s important to know that our ocean comrades aren’t perfect, and they often direct their violence towards targets that don’t deserve it. In addition to the yachts, they have been known to hunt blue whales for sport, or sink the craft of innocent small-scale fishers. But no activist or organization is perfect, and analyzing their shortcomings is also critical for building effective social movements.

Zilla: In your story, Maria seemed pretty trapped. How can us non-orca-types engage in resistance?

Rachel: [The following paragraph has been redacted for the sake of not further adding to the workload of the CSIS agent tasked with monitoring Rachel’s internet activity.]

You should write strongly worded letters to your local representative.

Zilla: *looking around nervously* Where can the Night Beats community find you and read this story?

Rachel: I am everywhere, including on this very blog! You can find me via my website, my podcast, Wizards & Spaceships, my Bluesky account, on Mastodon, or even on Instagram if you’re still on Meta for some reason. You can find this and future issues of the Antifa Lit Journal through the publisher, Not a Pipe Publishing, or wherever you buy books on the internet.

Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

The book The rise and fall of rhythm and rhymes sitting on a table at a bookstore.

Zilla: Poetry is a delight for all ages—Yewande Akinse has written some for children. Today, Yewande is here to talk about it!

Yewande: I am excited to introduce my latest poetry collection, The Rise and Fall of Rhymes and Rhythms. This book is a heartfelt exploration of life’s essential lessons, crafted specifically for children. Comprising 100 poems, it aims to engage young readers through playful language and vivid imagery, while imparting valuable insights on themes such as kindness, resilience, curiosity, and self-discovery. Written in the structured form of dizains, each poem is designed to be both rhythmic and memorable, making it accessible and enjoyable for children. The collection reflects my deep love for my daughter, serving as a guide to help her navigate the complexities of growing up. The Rise and Fall of Rhymes and Rhythms is not just a collection of poems; it is an invitation for children to explore their emotions and the world around them. I hope that through these verses, readers will find inspiration, joy, and a sense of connection to the lessons that shape their lives.

Zilla: You write about birth and death. Do you see this as a linear passage or as a cycle?

Yewande: I  see the themes of birth and death not as a linear passage but as a profound cycle. This cyclical perspective reflects the interconnectedness of life, where each ending gives way to new beginnings. Birth represents not only the physical arrival of life but also the emergence of ideas, experiences, and transformations. Similarly, death is not merely an end; it signifies a transition, a release that allows for renewal and growth. In my poetry, I explore this cycle by highlighting the beauty and complexity of both birth and death, emphasizing how they coexist and inform one another. This perspective encourages readers to embrace the full spectrum of existence, recognizing that every moment of joy and sorrow contributes to the richness of the human experience. Ultimately, viewing life as a cycle fosters a deeper understanding of resilience, continuity, and the enduring nature of love and memory.

Zilla: What do you want to teach people through your poetry?

Yewande: Through my poetry, I aim to teach people about the beauty of resilience, the importance of empathy, and the power of self-discovery. I want to encourage readers to embrace their emotions, whether they are joyful or painful, and to recognize that each experience contributes to their growth and understanding of the world. I also seek to illuminate the richness of cultural heritage and identity, fostering a sense of pride and connection among individuals from diverse backgrounds. By exploring themes of belonging and community, I hope to inspire readers to appreciate the shared human experience and the stories that unite us. Ultimately, I want my poetry to serve as a catalyst for reflection and dialogue, prompting readers to consider their own journeys and the impact they can have on others. Through my work, I aspire to create a space where individuals feel seen, heard, and empowered to express their own truths.

Zilla: Your poems are about community. What communities nutured you during your life?

Yewande: Throughout my life, I have been nurtured by several communities that have profoundly shaped my identity and creative voice. First and foremost, my family has been a foundational community, providing unwavering support and encouragement for my artistic pursuits. Their love and values instilled in me a deep appreciation for storytelling and cultural heritage. Additionally, the literary community has played a significant role in my development as a poet. Engaging with fellow writers, attending workshops, and participating in readings have allowed me to share my work, receive feedback, and learn from diverse perspectives. This sense of camaraderie and collaboration has enriched my understanding of poetry and its potential to connect people. These nurturing communities have collectively shaped my journey as a poet, providing the support, inspiration, and context necessary for my growth and creative expression.

Zilla: Thanks for sharing your story and your process. We’re looking forward to reading! Where can the Night Beats community find you and your book?

Yewande: My books are in bookstores and online on Amazon and Google books. My books can primarily be found on my website. I am on social media @adwande on Facebook, X and Instagram.

Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

Black Badge Trilogy book 1 Cold as Hell cover. A Sheriff type fights ice monsters.

Zilla: Jaime Castle is here with a horror full of demons and angels. Jamie—can you introduce your book to us?

Jamie: On the run and out of time…

Everything changed back in Crescent City when Crowley made his choice to stand up to his angelic handler Shargrafein. It was either her or Rosa, and the choice was clear. Now, there’s no going back.

Something about Rosa has everyone scrambling—a hidden power. It’s up to Crowley to bring her back to land of the living, and discover exactly what she is. Only then might they have a chance against the forces of Heaven and Hell, both of whom want her for their own devices.

So what if that makes him a traitor to the White Throne? They kept the truth about her from him. Made him a pawn in their endless war.

But those above and below aren’t the only ones after Crowley and Rosa. An old rival has resurfaced and he’s out for vengeance, no matter what takes.

If they hope to evade capture, Crowley will need to trust old friends and allies. And trust doesn’t come easy to a man shot to death by his own boss.

Zilla: What inspired you to write this book?

Jamie: I’ve always been a fan of westerns, and I believe that’s true for most people, even if they don’t know it. In the science fiction and fantasy community, shows like Firefly, Mandalorian, West World, and The Witcher are huge—and they are all forms of westerns. Sure, they don’t all have cowboys with pistols, but the concept remains the same: a sole individual rides into town, beats the hell out of injustice, and rides off into the sunset. For me, what could be better than smashing together a true western with the fantastical elements you might find in a Harry Dresden novel?

Zilla: How much research did you need to do for your book?

Jamie: Black Badge, the series, required a ton of research and a historian on hand. We wanted these books to feel authentic to the era in all possible ways. We researched guns, ammo, city maps from the time period, technology, and did all we could to incorporate those things into the story in a believable way.

Zilla: Is your work more plot-driven or character-driven?

Jamie: My books, including those I write with Rhett Bruno, are heavily character-driven. I believe a plot can only take someone so far if the character feels like cardboard. Meanwhile, I’ll read a book about nothing if the character is someone I can get behind.

Zilla: What’s your next writing project?

Jamie: I’m currently working on book two of a literary role playing game novel. Book one, An Unexpected Hero, is out and if you enjoy comedic fantasy with heart, it’s for you.

Zilla: Thanks for sharing your story and your process. We’re looking forward to reading! Where can the Night Beats community find you and your book?
Jamie: You can find my books at www.jaimecastle.com. Additionally, we own aethonbooks.com. You can find me anywhere on socials at Jaime Castle.

Book Report Corner

by Zilla Novikov

Transmentation—Transience: Or, an Accession to the People's Council for Nine Thousand Worlds cover with a spinning transition between universes

Transmentation—Transience: Or, an Accession to the People’s Council for Nine Thousand Worlds is Darkly Lem’s richly woven tapestry of a science fiction novel asks us who we are, deeper than the flesh and memories that imprison us, and if we can ever escape the societies that we belong to. Characters jump from universe to universe, from shell to shell, seeking to hold on to core identity that they’re not always confident exists. In lieu of the certainty of self, they lean on that of belonging to something greater than themselves–even when their society betrays them, they cling tightly to this sense of meaning in their lives. As someone who suffers from mental illness, I found the themes of identity fascinating.

And as a fan of expansive, thrilling science fiction, I was equally drawn in. There were universes of political scheming to match the White Tower, and others of fighting bug-eyed monsters with stolen swords. There was love, or friendship, or some ambiguous tangle that’s both and neither, lost beneath ambition. Each fantastical world is as richly detailed as the characters that inhabit it, and they’re combined to tell a captivating, satisfying tale.

Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

Cover of Never Say Never with 3 teens, one of them holding an ice cream

Zilla: I fell in love with Justine Manzano’s books when I first read her YA fantasy romance Never Say Never. When I got the chance to interview her about her works, I jumped at it! Justine, can you tell us a bit about your books?

Justine: I’m the author of four YA Fantasy novels. I have an action/adventure series, Keys & Guardians, about a teenager entering a corrupt monster-hunting organization and fighting to overthrow it from the inside. I also have a standalone romantic comedy, Never Say Never, which is about a girl who, after the divorce of her parents, declares she’ll never fall in love. But Aphrodite, disguised as her human teenager friend, sees that as a challenge.

Zilla: What inspired you to write these books?

Justine: Never Say Never was inspired by being a child of divorce, but not just any divorce. I was a kid who grew up knowing my parents didn’t belong together and would be better off without each other. But I’d never read a book about a family like mine. So I wrote one.

For Keys & Guardians, the series was about the abuse of absolute power in its many dynamics. I grew up in an abusive household, and there’s the exploration of neglect, and child abuse, abuse of power in society, in politics…I wanted to explore all of the ways I felt helpless in my life…and then I wanted to craft a character who would stand up against that. In many ways, the main character, Jacklyn, was my hero too.

Zilla: I can see how characters play an important role in your stories—is there a character in fiction that’s been important to you during your life? 

Justine: Batman is my special interest. I love the idea of a hero who chose to protect people. He doesn’t have any special abilities to protect him. Everything about him he chose to hone and to dedicate toward the people of Gotham. He’s a hero built from the strength of his brain more than anything else and I love that.

Zilla: You’ve got so many stories inside you—what’s your next writing project?

Justine: I currently have two writing projects in progress. The first is a short story collection that takes place in the Keys & Guardians series. I’m unsure about the title currently. I’m still sorting that out, but it’s in edits. I believe it will be called Tales of the Dawn.

The other project I’m working on is a new book called Reality Check. It’s a YA Contemporary novel. Leah Marinello deals with an abusive life by throwing herself into imaginary worlds—but when her school theater club offers her an actual escape, she discovers her imaginary friend might not be so imaginary—and he doesn’t really want to let go.

Zilla: Thanks for sharing your story and your process. We’re looking forward to reading! Where can the Night Beats community find you and your book?

Justine: My books are available anywhere books are sold. My website is justinemanzano.com, and you can find me on social media as @justine_manzano on Instagram and Threads, @justine_manzano1229 on TikTok, and as @justinemanzano.bsky.social on Blue Sky.

Behind the Screens: Tuesday Author Interview

Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

Cover of The Band with a broken guitar on the front.

Zilla: Emotions run high at music shows, and anything can happen—which makes a touring band the perfect setting for David Kummer’s horror novel The Band. David, it’s great to have you back! Can you tell us about your latest book?

David: While my last two bestselling novels were part of a series, my newest book, The Band, is a new and exciting novel about a cover band touring in Appalachia. The novel is from one character’s point of view, Aidan, who follows the band as their sound guy. He’s in love with Kate, the lead singer, and when they all stay in Oakville for a week, they run into sinister and mysterious danger. To make matters worse, they brought their own with them.

Zilla: What inspired you to write this book?

David: I got the initial inspiration for this book after my wife and I took a trip to West Virginia. We explored the New River Gorge and one of the small towns nearby. This adventure and these places inspired me to write this story with a touring cover band and all the secret, dangerous history they carry with them.

Zilla: Aidan, Kate, and Johnny each sound like fascinating characters. If you could meet them, what would you say to them?

David: I would love to meet the characters, because they’re one of the best cover bands anyone has ever seen. I love concerts, and it would be a lot of fun. I’d probably just ask them about the tour. And how they’re still alive!

Zilla: And what would they ask you?

David: Probably, “Why did you try to kill us off?”

Zilla: Hah! So would you say that your books are character-driven stories, then?

David: My books are driven by both plot and characters. While tons of crazy stuff happens in The Band with a thrilling and unpredictable plot, the characters are the best part, and they’ll likely stick with you. I always wanted to focus on my writing style for this book and try to mimic some of my favorite authors who write such beautiful prose, especially Denis Johnson and other minimalist authors like him.

Zilla: What’s your next writing project?

David: My next writing project is to finish The House on the Hill trilogy! The first two novels have been bestsellers, and I’m super excited to finish working on The Empty Room, coming this October.

Zilla: Thanks for sharing your story and your process. We’re looking forward to reading! Where can the Night Beats community find you and your book?

David: I’ve got a blog where I review lots of horror movies (and other types), as well as active social media pages on Facebook and Twitter. You can find me at davidkummer.com or check out my books on Amazon or Goodreads.

Wrong Genre Covers

The Parable of the Sower as a quirky childhood introvert comedy was suggested by @DrWhippersnap. Have a funny idea for a Wrong Genre Cover? Email us at nightbeatseu@gmail.com, and if Rachel likes your suggestion, she’ll make it in a future issue. Or @ us on basically any of the socials.
It's Parable of the Sower by Octavia E. Butler in the style of an old school Harriet the Spy paperback. Lauren, a young Black woman in a hoodie, examines a piece of paper by a fence while behind the fence, the city is on fire.