Every Tuesday, get to know a bit about the stories behind the books you love, and discover your next favourite novel.

Zilla: Cherry-Rose: Blood & Wishes is a fairy-tale that exists at the boundary of reality and fantasy, and a book that I unabashedly loved. We’re lucky enough to have Jeff Wiederkehr with us to tell us about his moody, atmospheric novel. Jeff, take it away!

Jeff: Cherry-Rose: Blood & Wishes is a horroresque fairy-tale retelling that turns wishing upon a star into an allegory for when wishes go wrong. Set in modern California, this coming-of-age story is woven with beasts, a Blue Fairy, and an unexpected romance all set against the backdrop of classic fairy tale horror.

Cherry-Rose finds herself reborn into a world that seems too good to be true, because it is exactly that. Too quickly her loving sisters vanish and the dark secret behind her mother’s magic is revealed. In time she breaks free from the isolation of the forest and her mother’s spell in the hope of finding her sisters. However, on the other side of the forest, she seems to have found more trouble than she had at home.

On the journey to find her sisters, Cherry-Rose is pursued by a gang peddling a drug called pixie-dust, she finds help in the form of a beastly mentor, and she is presented with the prospect of love in a world that just might be more dangerous than the forest filled with all of its chasing wolves.

Zilla: The theme of the cycle of abuse really spoke to me. Even Sal, who recognises the lure of the cycle, can’t stop himself from repeating it. Is it the animal or the human, the wolf or the mother, bear or father, which compels this cycle?

Jeff: That’s the thing, it is the great universal Mother-Animal-Man which is compelled by the Hunger. Mother, because it is the omnipresent. Animal, because it is hungry and it must eat. And the human, to ensure that the cycle is unbreakable.

Zilla: Everyone in this book has something they need to escape, whether it is in their past or present. Sometimes they run, sometimes they turn to the Blue Fairy, and sometimes they turn to blue pixie dust. How intertwined are these three options?

Jeff: These options, like the cycle of abuse, are inescapable, we have fight or flight, drugs and dreams, and … or death. Here we have the desire to escape, the desire for something other than our station, and we have methods of distraction (pixie-dust) and hope for something greater than ourselves (the moon, the stars, the Blue Fairy).

Zilla: There are many births in this book, but every birth comes with a death. Is the reverse true? Or is there death without birth?

Jeff: The silly answer, the quip of an answer, and the real answer are all the same: yes (to all).

Zilla: Many of the characters carry double names: Marybelle/Mother, Just John/Brother John, lost/Gideon, Sky Blue/Shy Blue. Often in stories, a character with two names chooses the second name for themselves, as a sign of agency. Here, both names are gifted to them by others, or represent their relationship to others. Is it possible for a person to define themselves?

Jeff: Possible? I could make an argument, that no one could do it without help. Foucault would say, we cannot be who we are until we see ourselves reflected back from another. Think about it, who would we be if we lived alone on the moon? All of our insecurities, our issues with our own bodies, the fight between who we want to be and who we think we should be … it wouldn’t exist. For me, I’d say that others are signposts, not intentionally guiding, but unconsciously showing us the ground we are standing upon. Cherry-Rose had to go through a lot to accept the truth that we all know and rarely accept and look where she ended up ~ you have to read the book to find out.

Zilla: You mix together the real and the unreal–Hollywood and William Hale Academy for Children of All Sorts, wine and pixie dust. What is the line between reality and fairytale? Is there a line?

Jeff: This is the fun of writing fiction. I wrote and wrote as if I were on the moon and then when I came back down to earth too soon, often I was shocked by what I read. Whenever that happened I’d stop writing until I could get back to the moon. At every turn, whenever I got insecure and wanted to tell myself that I had gone too far, that there is no way … I somehow found a way to go further. And in the end, when I had to write ‘The End,’ I was pleasantly surprised by how shocked I was. For example, the chapter titled Moon Love Ritual … it is bizarre and beyond and I wish I could say more, but I don’t want to spoil the fun. The intention was to blur all of the lines. To say, “Why not?, Why the hell not?!, Hell yes!” Because we, the reader and the writer, decide where all the lines go.

Zilla: And last but not least, I know there’s a Spotify playlist—can we have it?

Jeff: It is called Honey and Gold. You can find it here.

Zilla: Thanks for sharing your story and your process. We’re looking forward to reading! Where can the Night Beats community find you and your book?
Jeff: Find me and the book at my website.